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体育新闻的英语单词_体育新闻英语怎么写

tamoadmin 2024-07-23 人已围观

简介1.中央电视台英语新闻频道的频道节目2.急求一篇英语新闻体育的 最好是简单一点的 一分钟左右 然后帮我翻译下呗3.帮忙找一篇英语关于体育新闻的文章60词左右,初二水平左右1.More cancelled flights for American Airlines and Delta. Both carriers scrug hundreds of flights as they continue

1.中央电视台英语新闻频道的频道节目

2.急求一篇英语新闻体育的 最好是简单一点的 一分钟左右 然后帮我翻译下呗

3.帮忙找一篇英语关于体育新闻的文章60词左右,初二水平左右

体育新闻的英语单词_体育新闻英语怎么写

1.More cancelled flights for American Airlines and Delta. Both carriers scrug hundreds of flights as they continue to inspect wire bundles in planes. The focus is on spacing between the wires. The airlines say safety was not compromised.

2.Gunfire hits vehicles along a stretch of interstate in Virginia briefly closing the road, injuring two motorists.Traffic is flowing now as police search for those responsible for firing the bullets.

3.U.S. diplomats are taking cover in Baghdad, warned to stay inside reinforced structures because of rocket fire from insurgents that killed two workers. The Green Zone where the embassy is located first came under rocket attack on Easter.

4.Flocke gets a look outside for the first time. The German polar bear had an early morning outing, preparing for her public debut next month. The cub nigated some rocks and ge the world a sniff.

1. 美国航空公司及德尔塔公司的更多班机被取消了。由于两家公司仍在对飞机线路进行检修,所以取消了数百次航班。此次问题集中线路间隙处。航空公司申称飞机安全性不会受到损害。

2. 维吉尼亚洲边公路上发生枪击车辆,造成两名摩托车驾驶员受伤。交通现已畅通,警方正在调查此次枪击的责任人。

3. 美国外交官正在巴格达避难,他们被警告必须停留在安全防御地带以防起义箭炮袭击。据报道已有两名工作人员因受火箭炮攻击而身亡。复活节当天,格林地带大使馆首次受到火箭炮袭击。

4. 弗洛克第一次向外面张望了一下。这只德国北极熊早上已经出来散过步了,它正在为它下月举行的首次公众登台表演做准备。这只幼熊玩转着几块石头,给世界带来了惊喜。

中央电视台英语新闻频道的频道节目

和科比一样的表现

阿里纳斯得分超过

在与胡人队的比赛中

全句意思是:

在像科比一样的表现中(可能是指类似83分那样的疯狂表演),阿里纳斯得分超过了布赖恩特15分,并且成为历史上在与胡人队比赛时第二个得分超过60分的人。

急求一篇英语新闻体育的 最好是简单一点的 一分钟左右 然后帮我翻译下呗

北京总部 Asia Today(《亚洲直播室》) Global Business (Asia)(《全球财经》亚洲版) China 24(《中国24小时》) Culture Express(《文化报道》) Dialogue(《今日话题》) New Money(《中国好生意》) News Hour(《新闻一小时》) News Desk(《整点新闻》)(北京总部版) Sports Scene(《体育报道》) World Insight(《世界观察》) China Insight(《看中国》) Trelogue(《旅游指南》) My China(《我的中国故事》) Spectrum Asia(《光影亚洲》) Assignment Asia(《亚洲观察》) Crossover(《海客谈》) Closer to China with R.L.Kuhn(《走近中国》) Icon(《名人坊》) 北美分台 News Desk(《整点新闻》)(北美分台版) Global Business (America)(《全球财经》美洲版) Americas Now(《美洲观察》) Full Frame(《全景》) The Heat(《热点》) 非洲分台 Africa Live(《非洲直播室》) Global Business (Africa)(《全球财经》非洲版) Matchpoint(《非洲体育》) Talk Africa(《对话非洲》) Faces of Africa(《非洲面孔》) 英语新闻频道每天4档Global Business,覆盖了亚、欧、美、非的黄金时间。其中16:00档和21:15档的Global Business (Asia) 主要内容是来自中国和亚洲的财经消息;8:00档的Global Business (America) 针对北美西部地区在13:00安排重播。

另外,10点档News Desk和14点档News Desk中固定设有财经新闻时段,形成全天的财经报道链条。 《今日话题》栏目在时效性上有所突破,原则上当天发生的重大新闻当天评论,大幅减少录播节目。

《中国24小时》进一步强化节目定位,加强新闻的深度解读和调查类新闻的制作,继续完善细节,使节目更加精致。

《亚洲直播室》栏目凸显频道“Taking You Further”的理念,加大亚洲地区特约报道员和评论员在栏目中的比重,每天都有连线、电话连线和点评。

帮忙找一篇英语关于体育新闻的文章60词左右,初二水平左右

The Count of Monte Cristo by Alexandre Dumas père. Highly recommended.

Apart from 'The Three Musketeers', this is probably Alexandre Dumas' most famous work and one of the greatest novels in Western literature: a novel every literate and educated person should read at least once in their lives.

In this story, Edmond Dantes is an innocent man who was caught in the intrigues of Napoleon's escape from Elba and his 100 days of power until Waterloo. A sailor entrusted with a sealed letter of highest importance by his dying captain, Dantes delivers it into the hands of the evil prosecutor Villefort who, for reasons unkown to him, immediately sends him without trial or eal to spend the rest of his days at the Chateau D'Iffe: a dark and isolated island prison presumed to be inescapable. With the help of Abbot Faria, a dying prisoner who knows the secret of a great hidden treasure on the small islet of Monte Cristo, Dantes escapes and prepares to unleash his revenge on those who did him wrong. For years he spends his time meticulously preparing his vengeful scheme against the treacherous friends and characters who left him to rot in prison for years and years. He refines his arts of disguise, alchemy, and manipulation to content himself with the ruin of his enemies.

Unlike the adventure themes in his works such as 'The Three Musketeers', this story is a deep character study on being the victim of utmost injustice and how cruel revenge is sweet after all: how a wronged man is entitled to become the agent of divine retribution when God and mortal laws he abandoned his cause. The various themes, complex plot, profound character development, and rich prose makes this long work undouedly one of the greatest works of literature ever written: Dumas was without question a literary genius.

This is a great story for people of all ages and should not be ignored by anyone who has a profound love of literature. I think this is Dumas greatest work far surpassing 'Queen Margo' 'The Three Musketeers' or 'The Corsican Brothers.'

As translator Robin Buss points out in his introduction, many of those who hen't read The Count of Monte Cristo assume it is a children's adventure story, complete with daring prison escape culminating in a simple tale of revenge. There is very little for children in this very adult tale, however. Instead, the rich plot combines intrigue, betrayal, theft, drugs, adultery, presumed infanticide, torture, , poisoning, murder, lesbianism, and unconventional revenge.

Although the plot is roughly linear beginning with Edmond Dantès' return to Marseille, prenuptial celebration, and false imprisonment and ending with his somewhat qualified triumphant departure from Marseille and France, Dumas uses the technique of interspersing lengthy anecdotes throughout. The story of Cardinal Spada's treasure, the origins of the Roman bandit Luigi Vampa (the least germane to the novel), Bertuccio's tale of his vendetta, and the account of the betrayal and death of Ali Pasha are few of the more significant stories-within-the-novel. While Dumas devotes an entire chapter to bandit Luigi Vampa's background, he cleverly makes only a few references to what will remain the plot's chief mystery-how the youthful, intelligent, and naive sailor Edmond Dantès transforms himself into the worldly, jaded, mysterious Renaissance man and Eastern philosopher, the count of Monte Cristo, presumably sustained by his own advice of "wait" and "hope."

This novel is not a simple tale of simple revenge. The count does not kill his enemies; he brilliantly uses their vices and weaknesses against them. Caderousse's basic greed is turned against him, while Danglars loses the only thing that has any meaning for him. Fernand is deprived of the one thing that he had that he had never earned-his honour. In the process, he loses the source of his initial transgression, making his fate that much more poignant. The plot against Villefort is so complicated that even Monte Cristo loses control of it, resulting in dou foreign to his nature and remorse that he will not outlive.

This long but generally fast-paced is set primarily in Marseille, Rome, and Paris. It begins with Dantès' arrival in Marseille aboard the commercial vessel Pharaon and ends with his departure from Marseille aboard his private yacht, accompanied by the young, beautiful Greek princess Haydée. What gives The Count of Monte Cristo its life, however, are the times in which it is set-the Revolution, the Napoleonic era, the First and Second Restoration, and the Revolution of 1830. Life-and-death politics motivates many of the characters and keeps the plot moving. Dumas also uses real people in minor roles, such as Countess G- (Byron's mistress) and the Roman hotelier Signor Pastrini, which adds to the novel's sense of historical veracity.

The most troubling aspect of The Count of Monte Cristo is Edmond Dantès himself. His claim to represent a higher justice seems to justify actions and inactions that are as morally reprehensible as those that sent him to prison, for example, his account of how he acquired Ali and his loyalty. Had he not discovered young Morrel's love for Valentine Villefort, she too might he become an innocent victim. As it is, there are at least two other innocents who die, although one clearly would not he been an innocent for long based on his behiour in the novel. One wonders of Dantès' two father figures, his own flower-loving father and fellow prisoner Abbé Faria, would he roved of the count.

The translation ears to be good, with a few slips into contemporary English idioms that sound out of place. In his introduction, Buss states that the later Danglars and Fernand he become unrecognizable and that Fernand in particular has been transformed "from the bre and honest Spaniard with a sharp sense of honour . . . to the Parisian aristocrat whose life seems to he been dedicated to a series of betrayals." There is never anything honest or honourable about Fernand; his very betrayal of Edmond is merely the first we know of in his lifelong pattern.

What seems extreme and somewhat unrealistic about Fernand is his transformation from an uneducated Catalan fisherman into a "Parisian aristocrat," hobnog with statesmen, the wealthy, and the noteworthy of society. This, however, is the result of the milieu that the novel inhabits. During these post-Revolution, post-Napoleonic years, Fernand could rise socially through his military and political accomplishments just as Danglars does through his financial acumen. Danglars is careful to note that the difference between them is that Fernand insists upon his title, while Danglars is openly indifferent to and dismissive of his; his viewpoint is the more aristocratic.

Countess G- is quick to point out that there is no old family name of Monte Cristo and that the count, like many other contemporaries, has purchased his title. It serves mainly to obscure his identity, nationality, and background and to add to the aura of mystery his persona and Eastern knowledge create. What is most telling is that his entrée into Parisian society is based primarily on his great wealth, not his name. Dumas reinforces this point with Andrea Calcanti, another mystery man of unknown name and reputed fortune.

I he read The Man in the Iron Mask and The Three Musketeers series, both of which surprised me with their dark aspects (the character and fate of Lady de Winter, for example) and which little resembled the adventure stories distilled from them for children and for film. When I overheard a college student who was reading The Count of Monte Cristo on the bus tell a friend that she couldn't put it down, I was inspired to read it. I couldn't put it down, either, with its nearly seamless plot, dark protagonist, human villains, turbulent historical setting, and larger-than-life sense of mystery. At 1,078 pages, it's imposing, but don't cheat yourself by settling for an abridged version. You'll want to pick up every nuance.

O(∩_∩)O哈哈~

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